100 years of Turkish music: a timeline

100 years of Turkish music: a timeline

The following is a timeline of what music has been developed and performed on these lands we so love. Music has all the time performed an integral half in Turkish tradition and it boasts a wealthy tapestry woven via centuries, reflecting the cultural, historic and geographical range of the area.

Ancient Roots (Pre-Seventh century):

Turkish music’s roots are intertwined with the traditional civilizations that when thrived in Anatolia. Influences from Hittite, Phrygian and Urartian cultures laid the groundwork for the distinctive melodic and rhythmic parts that will characterize Turkish music.

Byzantine Era (4th-Fifteenth century):

With the arrival of Christianity, Byzantine hymns and spiritual music left an indelible mark on the musical panorama. As the Byzantine Empire crumbled, the inflow of Turkic tribes introduced new devices and vocal kinds, making a melting pot of musical influences.

Ottoman Empire (14th-Twentieth century):

The Ottoman Era represents a golden age for Turkish music. The courtly music of the Ottoman Empire blended Persian, Arabic and Byzantine traditions. The classical Ottoman music custom, referred to as “Turkish classical music” or “Ottoman classical music,” emerged with advanced maqam-based compositions and complicated rhythmic patterns. Performances historically characteristic a solo singer with a small to medium-sized instrumental ensemble.

nineteenth century:

The Tanzimat reforms within the nineteenth century profoundly impacted Turkish music. Adopting Western devices and notation techniques launched a brand new fusion period. Composers like Hacı Arif Bey pioneered the mixing of Western musical parts into Turkish compositions.

Early Twentieth century:

The collapse of the Ottoman Empire and the institution of the Republic of Türkiye underneath Mustafa Kemal Atatürk introduced radical cultural adjustments. As a part of the modernization efforts, a brand new type of Turkish music referred to as “Türk Sanat Müziği” (Turkish artwork music) emerged, mixing Western harmonies with conventional Turkish scales.

“The Turkish Five” is the moniker for 5 composers who had been all born inside a number of years of each other on the flip of the Twentieth century and that set the tone for the transition of Turkish classical music into this new style combining Western and Turkish parts that continues to be revered right this moment. They are: Ahmet Adnan Saygun, Ulvi Cemal Erkin, Cemal Reşit Rey, Hasan Ferit Alnar and Necil Kazım Akses.

Mid-Twentieth century:

The post-World War II interval witnessed the rise of Türk Sanat Müziği and musicians corresponding to Zeki Müren had been often featured on tv performing concert events accompanied by a full orchestra. Meanwhile, throughout this time within the Fifties to Sixties, bağlama participant Neşet Ertaş performed a type of folks music with Anatolian influences that will be referred to as “Türk Halk Müziği.”

1960’s: Turkish pop music takes maintain

The Sixties noticed the emergence of Turkish pop music, influenced by Western rock and roll. Artists like Ajda Pekkan, thought-about the “superstar” of Turkish Pop, would mix Western parts of their songs, lots of which had been additionally Turkish variations on common songs from overseas. Ajda Pekkan continues to be one of the influential musicians in Turkish historical past as not solely does she nonetheless carry out right this moment, however almost each era to exist in Türkiye is conversant in and loves her music. Fikret Kızılok and Özdemir Erdoğan had been different common musicians from the time whose music blended pop and folks parts.

Meanwhile, a style known as “Turkish Hafif Müziği” additionally started to thrive amongst pop singers and it was characterised by Turkish lyrics being integrated into Western songs and preparations. In different phrases, this was when the arrival of Turkish cowl songs started, corresponding to Ajda Pekkan’s Turkish rendition of the well-known Glora Gaynor music “I Will Survive.”

1970’s: Birth of Anatolian rock

The Seventies was a heyday for Turkish music with the rise of Anatolian rock, a style fusing rock and conventional Anatolian folks. Bands like Moğollar and musicians corresponding to Erkin Koray, Barış Manço, Selda Bağcan and Cem Karaca grew to become synonymous with this motion and music, additionally known as “psychedelic rock” and has seen a revival within the twenty first century.

1980’s: Arabesque is shaped

In the Nineteen Eighties, musicians corresponding to Ibrahim Tatlıses and Orhan Gencebay popularized “Arabesque” music, a style combining Turkish folks with Arab and Byzantine parts, which mirrored the social and financial struggles of the time, which was marked by immense rural-to-urban migration and so the model deeply resonated with the quickly altering society in Istanbul particularly.

Meanwhile, Turkish pop music additionally blossomed right now as globally acclaimed artists like Sezen Aksu emerged, bridging the hole between Turkish and worldwide music. Sezen Aksu, Nilufer, Kayahan and Ajda Pekkan frequently carried out concert events and on the sidelines, Aksu truly educated her vocalists to grow to be the subsequent era pop icons, which they did.

Nineties: Turkish pop goes world

The Nineties marked a turning level with the worldwide success of Turkish pop star Tarkan’s “Şımarık” (“Kiss Kiss”), making the vocalist a global sensation, opening doorways for Turkish artists on the worldwide stage. Part of Tarkan’s reputation was its infusion of Turkish folks parts into his pop songs. As music in Türkiye had launched into two completely different trajectories, with pop music embracing Western parts and Arabesque drawing on the nation’s Anatolian musical legacy, however musicians corresponding to Tarken efficiently managed to bridge the hole and his music gained unprecedented reputation.

This period additionally witnessed the rise of Turkish rock music, with teams like Duman, Athena and Mavi Sakal equally creating a complete new style of Turkish rock music, influenced by their Anatolian rock predecessors.

2000s: Eurovision period

Türkiye made its Eurovision debut within the yr 2000 in Stockholm, Sweden, with the music “Yorgunum Anla” carried out by Pinar Ayhan & SOS. Three years later, in 2003, Türkiye gained the Eurovision Song Contest in Riga, Latvia, with Sertab Erener’s efficiency of “Everyway That I Can.” This victory marked a major achievement for Türkiye in Eurovision historical past and made Erener, whom alongside together with her as soon as husband Levent Yuksel, a family title after beforehand serving for years as Sezen Aksu’s vocalist.

The twenty first century introduced a wave of musical range and Turkish rap gained prominence with artists like Ceza, mixing conventional sounds with up to date beats. Indie and digital music scenes additionally flourished, showcasing the experimental spirit of Turkish musicians.

2010’s: Turkish music diversifies

In the twenty first century, genres corresponding to rap, digital and indie gained reputation alongside pop and rock, with artists like Ceza, Gaye Su Akyol and Büyük Ev Ablukada pushing musical boundaries.

2020s: Continued innovation, world collaboration:

Turkish music continues to innovate on a world scale. As artists like Aleyna Tilki and Sıla discover new sonic territories and collaborations with worldwide artists, Gaye Su Akyol is touring the world together with her distinctive fusion of digital beats and Anatolian medleys, whereas Evrencan Gündüz is trailblazing a revival of Anatolian rock.

Source: www.dailysabah.com