For practically six many years, the Tirelli atelier in Rome has woven itself into the material of Italian and worldwide movie historical past, incomes the nickname the “Oscar tailor’s store” for its contribution to cinematic costume design.
Established in November 1964 by the late Umberto Tirelli, the store has been behind 17 Academy Awards for finest costume design. Most not too long ago, its artisans collaborated with Janty Yates and Dave Crossman to create the costumes for Ridley Scott’s epic “Napoleon.” The Hollywood designers had been nominated for an Oscar that shall be determined at this weekend’s Academy Awards.
“Maybe it will win! Let’s add another medal to the medal collection,” the shop’s current head, Dino Trappetti, said in an interview. “Of course, the Oscar just isn’t received by the tailor’s store, the Oscar is received by the costume designer. But the tailor’s store has the advantage and the respect of getting participated to make it win.”
The atelier’s origins stem from Tirelli’s ardour for gathering vintage clothes. He scouted items within the attics of noblemen and flea markets worldwide, patiently constructing a set that now counts greater than 15,000 genuine clothes spanning from 1750 to 1980.
At the beginning, the store featured “a stitching machine, two cutters and two different seamstresses,” Trappetti mentioned.
Today, the headquarters of Tirelli Costumes in Rome’s Prati neighborhood options mannequins sporting among the atelier’s most well-known creations: A fragile pink flowered outfit Tom Hulce wore as Wolfgang Amadeus Mozart in Milos Forman’s “Amadeus” (which netted an Oscar for costume designer Theodor Pistek); the rich red velvet bustle and feathered number Michelle Pfeiffer’s countess wore in “The Age of Innocence” (giving designer Gabriella Pescucci her Oscar).
After the 1984 “Amadeus” design Oscar, Tirelli could have gone more international “as a result of the market was instantly ,” Trapetti mentioned. But Tirelli, who died in 1990, was not satisfied.
Trappetti remembered him saying: “I’m not going to America. If America needs, America will come searching for me.”
It has.
In 60 years, the tailor’s store has created greater than 300,000 costumes that are actually saved in a warehouse in Formello, close to Rome, the place double-height racks of garments stretch out throughout 7,000 sq. meters (greater than 75,000 sq. ft). Costume designers come for inspiration, historic info – and hand-cut, hand-sewn creations from the group of Tirelli seamstresses.
“You can’t make these costumes in a manufacturing unit. In a manufacturing unit, you may make movies with robots, futuristic or fantasy. But this stuff need to be made by hand,” Trappetti mentioned.
Source: www.dailysabah.com
