Pera Museum’s Istanbul film selection portrays city as sanctuary

Pera Museum’s Istanbul film selection portrays city as sanctuary

Pera Film brings again the postponed screenings of its “Uğrak” (“The Beaten Path”) program as a part of the “Istanbuls Today” exhibition, beginning on March 15 to satisfy with cinema fans. The collection of movies, which portrays Istanbul in numerous roles – generally tackling it as a movie set, generally a prop whereas often because the protagonist, portraying it as a cultural hub, a spot of refuge – might be watched on the Pera Museum auditorium till March 31.

Suna and Inan Kıraç Foundation Pera Museum movie and video applications unfurl Istanbul’s hundreds of faces to the viewers by means of the brand new choice referred to as “Uğrak.” The phrase “uğrak” (“the beaten track”), which is assumed to originate from the Turkic-Mongolian language household, means to cease by and go. The phrase uğrak, remodeled over time to imply to make a brief cease and to go continuously, permits us to indicate the movies that rework Istanbul into a spot of a hang-out. The Pera Film choice offers a chance to see movies that rework Istanbul into a spot of refuge – a spot of stop-and-go.

Within the scope of the exhibition, this system contains 9 movie examples from the experimental, documentary and fiction genres.

A still shot from

A nonetheless shot from “The City.” (Photo courtesy of Pera Museum)

Coup years

Director Merlyn Solakhan, who was born in Istanbul, is featured in this system with two movies: “The City” from 1983 and “Tongue Twister” from 1984. About “The City,” the director elaborates, “I wanted the expression itself, rather than the film, to be the narrator.”

In “Tongue Twister,” then again, which was featured within the 1986 Berlin Film Festival program, the streets of Istanbul, surrounded by eeriness, are displayed 5 years after the army coup. The movie presents the transformation of the tongue tornado right into a hesitation by means of an authentic aesthetic.

Mystery

Alain Robbe-Grillet’s first directing try, “The Immortal,” from 1963, focuses on a French man visiting Istanbul who meets a mysterious lady and falls into an inextricable labyrinth as he follows her path. Istanbul, with its enchanting and surreal stillness, represents the setting of the movie.

A still shot from

A nonetheless shot from “The Immortal.” (Photo courtesy of Pera Museum)

Lost musician

Mika Kaurismäki’s tragicomedy “Zombie and the Ghost Train” from 1991 tells the story of a younger musician named Zombie who tries to discover a group and a spot on the planet however will get misplaced within the circulate of life between Istanbul and Helsinki, shedding monitor of actuality.

Istanbul, literature

Maurice Pialat’s “Turkey Journals” from 1964, which is devoted to Türkiye’s historical past and folks, consists of 5 quick movies referred to as “Istanbul Bosporus,” “Byzantine,” “Golden Horn,” “Istanbul,” and “Galip Usta.” While “Byzantine” relies on a textual content by author Stefan Zweig, “Golden Horn” begins from a poem by Gerard de Nerval, and “Galip Usta” progresses primarily based on the poems of Nazım Hikmet.

The “Uğrak” movie program is screened on the Pera Museum auditorium till March 31.

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